2024 Free

Annual Report 2024

Brass for Africa uses brass band music as a vehicle for health, education and equality outcomes across Uganda, Rwanda and Liberia. Their 2024 Annual Report — marking 16 years since founder Jim Trott MBE shipped the first 30 instruments to Uganda — covers 2,680 young people in weekly training, 106,000 people reached through campaigns, and 1,127 girls equipped with sanitary kits. A landmark year: leadership transitions to fully East African leadership under CEO Andrew Agassi and Country Manager Ronald Kabuye, himself a former 14-year-old programme participant.

Report snapshot
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About

Community brass bands, All-Star Band, Tayside Pearls all-girl ensemble, Menstrual Hygiene Management, HIV/AIDS prevention campaigns, mental health programmes, career training, sound/stage operator certification, refugee employment, inclusive music for young people with disabilities

Key Metrics

Key Metric 1 2,680 children and young people receiving music and life-skills training every week (38% increase on 2023)
Key Metric 2 106,000 people reached through awareness campaigns on mental health, education, gender and refugees
Key Metric 3 1,127 girls received reusable sanitary kits; 5,133 youth trained in Menstrual Hygiene Management; 517 people empowered economically

Key Outcomes

  • 72% of programme children performed above the national average academically; 68 bands supported across 36 partner organisations in Uganda, Rwanda and Liberia
  • Leadership transition to fully East African leadership: Andrew Agassi (CEO) and Ronald Kabuye (Uganda Country Manager) — Kabuye joined as a 14-year-old trombone player
  • 7 new community bands established as CBOs; 10 refugees employed directly by Brass for Africa; 13 DIT-certified sound and stage operators qualified

Geography

International

Impact Snapshot
Key Metric 1
Total income £138,600,000 and total expenditure £108,350,000 (year ended 31 March 2025, charity no. 1068852); 5 million people welcomed through palace gates; £138.6m income...
Key Metric 2
Over 160,000 members making 300,000+ visits generating £5.8m membership income plus £814k Gift Aid; 217,400 £1 Universal Credit tickets sold; 304,000 visitors to Untold...
Key Metric 3
89% of visitors gained a better understanding of stories (discovery); 83% felt happier after their visit (joy); 76% were inspired to learn more; 28,365...
83% of visitors felt happier after their visit; 89% gained better understanding of palace stories; 94% charitable activities allocation of total expenditure; Tomorrow's Tower campaign secured £1.9m including £1m from Sandys Trust and National Lottery Heritage Fund development grant
Impact Snapshot
Key Metric 1
3,943 young people reached across 279 learning sessions in 16 programmes; 46 public performances reaching 8,517 audience members
Key Metric 2
100+ Emerging Professionals supported with 159 paid performance opportunities; 32% from regions beyond London; 32% from African, Asian, Caribbean or Mixed Heritage backgrounds
Key Metric 3
46% of Under-18 participants receive bursaries; 46% benefit from free access (Pupil Premium, free school meals or low-income families)
Largest single concert audience of 1,500 for British Standard Time at Berlin's Konzerthaus; NYJO Under 18s alumni have gone on to Birmingham Conservatoire, Leeds Conservatoire and Cambridge University
Impact Snapshot
Key Metric 1
1,363 young members attended Future Yard's youth and community music programmes in 2024/25
Key Metric 2
166 participants enrolled on the Sound Check live-events training programme, the highest cohort yet
Key Metric 3
1,091 free tickets distributed through the Neighbourhood Tickets Scheme, a 50%+ increase on the prior year
90% of Sound Check participants reported an increase in skills and sector awareness, and 91% an increase in confidence
Impact Snapshot
Key Metric 1
10,224 pupils supported through Theatre and Film Festivals and workshops in 2023/24
Key Metric 2
8,775 young people performed across 67 partner theatres in the Theatre Festival
Key Metric 3
604 teachers supported to develop their skills through resources and workshops
100% of surveyed teachers reported their students had greater pride in themselves following the Theatre Festival